Siccin 2 / سِجِّين AKA Sijjin 2

6/10
Thriller
2015
1h 26m
PG-13

a terrifying Turkish supernatural horror film directed by Alper Mestçi. When jealousy drives a family member to perform forbidden jinn magic, a devout woman becomes the target of a relentless curse. Rooted in Islamic folklore, Siccin 2 delivers psychological terror, possession, and spiritual horror that lingers long after the final scene.

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Thriller Horror

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Siccin 2 (2015) drags the viewer into a suffocating nightmare where faith, jealousy, and forbidden knowledge intertwine into something unspeakable. The story centers on Adnan, a troubled man whose life is quietly corroded by obsession and resentment, and Hicran, his deeply devout wife whose faith becomes both her shield and her curse. Their marriage exists under the same roof as Adnan’s mother, a woman whose presence is sharp, invasive, and rooted in envy that festers silently. From the earliest moments, the film establishes a tension that is not loud but invasive — doors that feel too narrow, hallways that seem to stretch unnaturally, prayers that echo longer than they should. Hicran’s attempts to live by religious discipline and purity clash violently with the dark intentions surrounding her, as Adnan’s mother seeks control not through confrontation but through the most dangerous means imaginable: forbidden black magic rooted in ancient jinn rituals. What begins as psychological discomfort slowly transforms into supernatural terror as unseen forces begin to answer whispered invocations, and the household becomes a battleground between faith and blasphemy.

As the curse takes hold, the film escalates with chilling restraint. Hicran experiences physical pain, spiritual suffocation, and terrifying visions that blur the line between illness and possession. Her body weakens, her prayers falter, and her reality fractures under relentless spiritual assault. The jinn do not arrive with spectacle — they seep in, manifesting through shadows, distorted faces, voices crawling out of walls, and reflections that move independently. Siccin 2 uses its religious horror framework with surgical precision, grounding every supernatural event in belief systems deeply rooted in Islamic folklore. The rituals depicted are not fantasy inventions but carefully drawn from cultural fear, making the terror feel disturbingly authentic. Adnan’s guilt grows as he realises too late that the curse was never meant to frighten but to destroy, to erase Hicran’s existence and claim her soul. Each night becomes a trial, each prayer a struggle for survival, as the jinn tighten their grip and the house transforms into a spiritual prison with no escape.

The final act descends fully into despair, stripping away any illusion of mercy. Attempts to reverse the curse unleash even darker consequences, revealing that once such forces are invited, they never leave unchanged. Exorcisms fail, faith is tested beyond endurance, and the truth emerges with devastating clarity: the curse was born not of hatred alone, but of unchecked jealousy disguised as love. The climax is relentless, filled with spiritual violence, physical suffering, and horrifying revelations that leave no character untouched. Siccin 2 refuses comfort or redemption; instead, it ends with a cold acknowledgment of consequence. Evil is not defeated — it is unleashed, and the price is paid in flesh, sanity, and eternal torment. The film closes on an image that lingers long after the screen fades, cementing Sijjin 2 as one of the most disturbing entries in Turkish horror cinema, a film that weaponizes belief itself and leaves the audience questioning the boundaries between faith, fear, and the unseen world that watches silently.